Tuesday, April 29, 2014

18. Five Dialogues

Book: Five Dialogues: Euthyphro, Apology, Crito, Meno, Phaedo
Author: Plato
Number of pages: 156
What I’m watching: TV: The League, Portlandia, The X-Files, Family Feud, Seinfeld, Modern Family, X-Play,  Dexter’s Laboratory, Futurama, Community, Powerpuff Girls, Daria, Sherlock, Agents of S.H.I.E.L.D., The IT Crowd, Archer, Sabrina: The Teenage Witch, Bones
Movies: The Frighteners, Glengarry Glen Ross, Resident Evil, Big Fish, The Count of Monte Cristo, Frozen, Saving Mr. Banks, My Big Fat Greek Wedding, Stardust, Insomnia
What I’m playing: Skyrim, Dead Island, Journey, Morrowind, Oblivion, Crackdown, Sleeping Dogs, Elder Scrolls Online, Alan Wake, Fallout: New Vegas, Deadlight
 
            I’ve been enjoying too many of my books lately, so I tried to picking out one that I thought I’d like to get rid of. Enter: Plato.
Not this kind, though, because that’d be fun. The Ancient Greek, student of Socrates, kind. And not just one, but five pieces by Plato lumped together into one book. And once you combine Plato pieces, it’s rarely a good thing.
            Okay, I admit, I’m already critical before I even started. To be honest, I used to have a copy of Plato’s Phaedo, which I read for a class. Reading that Plato left something of a bad taste in my mouth.
Why was I compelled after that to buy a collection of Plato’s writing? I can only assume temporary insanity. Or maybe I knew that someday…I’d have to return to face my horror…
            Five Dialogues: this book is a collection of five Socratic dialogues. “Socratic” because they all focus on the philosophy of Socrates (mixed in with Plato’s own ideas), and “dialogues” because Plato wrote in the style of a conversation, using Socrates and other real historical figures like characters in a script. And these five all focus mainly on Socrates’ trial, imprisonment, and death. Sound exciting?1
            Alright, first dialogue up is…
EUTHYPHRO
Every dialogue gets a nice handy-dandy little summary at the start to roadmap Socrates’ conversation. Socrates meets his friend Euthyphro2 outside the court. Socrates has been accused of corrupting youth and not believing in gods. Euthyphro is there as prosecutor against his own father, on a count of murder. His father tied up a murderer and left to find some help, during which time the murderer died. The question is whether or not it is pious to prosecute his father, and the big philosophical debate is the meaning of piety.
Their dialogue focuses heavily on the relationship between piety and godliness. Euthyphro makes a good point, mentioning that Zeus fought his father Cronus. Cronus was eating all his children, and Zeus’s stopped him, so actions against one’s father can be godly (7). Their working definition is that pious actions are ones that please the gods. This is pretty much the Ancient Greek version of divine command theory, which holds that morality is based on God’s will. However, Socrates brings up the fact that they believe in a lot of gods and a lot of the gods disagree with each other. So, “punishing [a] father may be pleasing to Zeus but displeasing to Cronus” (9-10). A lot of people nowadays use what they believe is God’s will to base their moral standings, but back then it must’ve been pretty tough for Ancient Greeks because they worshipped a ton of gods.
Socrates spends his time questioning Euthyphro and punching holes in his argument. Throughout the discussion, Socrates comes off as a bit condescending and seems to talk down to Euthyphro. Euthyphro tries to follow along with Socrates, but when he fails to follow Socrates’ train of thought, Socrates replies “So you did not answer my question, you surprising man” (9). Socrates rebuts divine command theory by asking, “Is the pious being loved by the gods because it is pious, or is it pious because it is loved by the gods?” (12). I think that is a clear enough question – either an action inherently is good and therefore loved by the gods or since the gods love it, that makes it good. Euthyphro doesn’t understand it, but the more Socrates tries to explain it, it actually gets less clear and more muddled for me:
We speak of something carried and something carrying…there is also something loved and – a different thing – something loving…Tell me then whether the thing carried is a carried thing because it is being carried, or for some other reason…and the thing seen because it is being seen?...It is not being seen because it is a thing seen but on the contrary it is a thing seen because it is being seen; nor is it because it is something led that is being led but because it is being led that it is something led; nor is something being carried because it is something carried, but it is something carried because it is being carried. Is what I want to say clear, Euthyphro? (12)
Huh? It’s like Socrates seems to enjoy spinning words around people’s heads until they’re dizzy so he can say, “Looks like you’re not as smart as you thought”:
                 SOCRATES: Tell me what the pious and the impious are.
     EUTHYPHRO: But Socrates, I have no way of telling you what I have in mind, for whatever proposition we put forward goes around and around and refuses to stay put where we establish it…
     SOCRATES: I think you are making unnecessary difficulties, I am eager as you are to find a way to teach me about piety, and do not give up before you do. See whether you think all that is pious is of necessity just.
     EUTHYPHRO: I think so.
     SOCRATES: And is then all that is pious just? Or is all that is pious just, but not all that is just pious, but some of it is and some is not?
     EUTHYPHRO: I do not follow what you are saying, Socrates.
     SOCRATES: Yet you are younger than I by as much as you are wiser. As I say, you are making difficulties because of your wealth of wisdom. Pull yourself together, my dear sir, what I am saying is not difficult to grasp. (14-15)3
Socrates, Father of the Backhanded Compliment.
So now they’re taking about justice and how that relates to piety. They still haven’t defined piety, so I don’t know how throwing justice in the mix is going to help. And on some level, Socrates has got to be just making stuff up. Without defining either justice or piety, how does Socrates know which one fits into the other? I see this kind of like squares and rectangles: all squares are rectangles, but only some rectangles are squares, and others are not. When did Socrates show which of piety and justice is the square? He chose justice, but why couldn’t it be the other way around? I don’t know. Maybe that’s not helpful…Basically, sometimes it seems like Socrates will make a leap in his argument without logic or throw in some incorrect assumption to make a point.
Somehow, they end up back with divine command theory, and again Socrates circles back to the main question:
     SOCRATES: So we must investigate again from the beginning what piety is, as I shall not willingly give up before I learn this. Do not think me unworthy, but concentrate your attention and tell the truth. For you know it, if any man does, and I must not let you go, like Proteus, before you tell me. If you had no clear knowledge of piety and impiety you would never have ventured to prosecute you old father for murder on behalf of a servant. For fear of the gods you would have been afraid to take the risk lest you should not be acting rightly, and would have been ashamed before men, but now I know well that you believe you have clear knowledge of piety and impiety. So tell me, my good Euthyphro, and do not hide what you think it is.
     EUTHYPHRO: Some other time, Socrates, for I am in a hurry now, and it is time for me to go. (20)
I bet Socrates heard that a lot. So after all that, no one learns anything, except maybe I learned that Socrates is a condescending prick.
            Good Lord, that was only the first dialogue…
APOLOGY
The Apology is the speech given by Socrates at his trial for his defense. It’s more of a monologue interspersed with minor responses from Meletus, his main opponent. Socrates tells the men at the trial that Apollo’s oracle told a friend that no one is wiser than Socrates. Socrates says that he isn’t wise, but since this was a message from the gods, he wanted to investigate. So, Socrates took it upon himself to find somebody wiser:
     I went to one of those reputed wise, thinking that there, if anywhere, I could refute the oracle…Then, when I examined this man…I thought that he appeared wise to many people and especially to himself, but he was not. I then tried to show him that he thought himself wise, but that he was not. As a result he came to dislike me, and so did many bystanders. So I withdrew and thought to myself: “I am wiser than this man; it is likely that neither of us knows anything worthwhile, but he thinks he knows something when he does not, whereas when I do not know, neither do I think I know; so I am likely to be wiser than he to this small extent, that I do not think I know what I do not know.” After this I approached another man, one of those thought to be wiser than he, and I thought the same thing, and so I came to be disliked both by him and by many others.
After that I proceeded systematically…So even now I continue this investigation as the god bad me – I go around seeking out anyone, citizen or stranger, whom I think wise. Then if I do not think he is, I come to the assistance of the god and show him that he is not wise. (26-27)
Now that is what I call a dick move. Socrates makes it his life goal to prove to everyone how dumb they are. Not only that, it’s a mission from god: “Apollo said I’m wise, so now I have to show that you’re all idiots.” And how does he show them? Probably like in Euthyphro, by trapping them in an inadequate definition of some lofty abstract noun. Socrates is an asshole. I’m not surprised he’s unpopular.
            Later on, Socrates is trying to make the point that these allegedly corrupt youth wouldn’t listen to Socrates if they were being corrupted. He bases this on the assumption that “does the man exist who would rather be harmed than benefited by his associates? Answer, my good sir, for the law orders you to answer. Is there any man who wants to be harmed? – Of course not” (30). First off, everything is so absolute with Socrates and his arguments. It’s common sense that people choose something beneficial rather than harmful, but can that be applied to all the people all the time? I don’t think so. Bill Murray’s character from Little Shop of Horrors comes to mind:
Human behavior is probably one of the least absolute things there is. And second, maybe these youth don’t realize they’re being corrupted. It’s not like no one ever mistakenly made a decision, thinking it was for the right, but then turned out wrong. It’s kind of like Socrates is shifting any blame onto them: “If I’m such a bad influence, they should know better than to listen to me.”
            Socrates explains why he continues his investigation even though that path led him to a possible death sentence. He says that it’s better to stick to your guns and live morally rather than base everything on self-preservation. He also makes a decent point that “No one knows whether death may not be the greatest of all blessings for a man, yet men fear it as if they knew that it is the greatest of evils” (33). It’s true that death is a mystery, even though our experience with it is generally on the awful side. Of course, Socrates throws that in their faces, saying he’s wiser than all of them for figuring that out. But just in case a death sentence isn’t a gift, Socrates tries persuading the court members against it because it’s in their best interest. He says to them a warning “to prevent you from wrongdoing by mistreating the god’s gift to you by condemning me; for if you kill me you will not easily find another like me” (35). Ego much? He literally believes himself to be god’s gift to Athens.
            Socrates talk about some other shit for awhile, but the jury ultimately finds him guilty, and “Meletus asks for the penalty of death” (39). Some much for all that, Socrates. It’s up to him now to persuade the jury for a better sentence. Socrates argues that he deserves something different than death:
What counter-assessment should I propose to you, men of Athens? Clearly it should be a penalty I deserve, and what do I deserve to suffer or to pay because I have deliberately not led a quiet life…Nothing is more suitable, gentlemen, than for such a man to be fed in the Prytaneum – much more suitable for him than for any one of you who has won a victory at Olympia with a pair or a team of horses. The Olympian victor makes you think yourself happy; I make you be happy. Besides, he does not need food, but I do. So if I must make a just assessment of what I deserve, I assess it as this: free meals in the Prytaneum. (40)
Ballsy move, Socrates: “Instead of killing me, give me free food.” If he’s going to throw a Hail Mary, might as well go for it.
            Famous quote alert! “The unexamined life is not worth living” (41). Every now and then, Socrates will say something meaningful. It’s like a diamond, buried underneath so much crap. But, the jury remains unswayed and sentence Socrates to death. He responds by condemning them:
You will acquire the reputation and the guilt…of having killed Socrates, a wise man…If you had waited but a little while, this would have happened of its own accord. You see my age, that I am already advanced in years and close to death. I am saying this not to all of you but to those who condemned me to death. (41-42)
He’s pretty much saying, “Way to go, guys. I hope you’re proud of yourself, killing an old man.” And he’s right. But then he goes on to practically lay a curse on them:
Now I want to prophesy to those who convicted me, for I am at the point when men prophesy most, when they are about to die. I say, gentlemen, to those who voted to kill me, that vengeance will come upon you immediately after my death, a vengeance much harder to bear than that which you took in killing me…There will be more people to test you, whom I now held back, but you did not notice it. They will be more difficult to deal with as they will be younger and you will resent them more. You are wrong if you believe that by killing people you will prevent anyone from reproaching you for not living in the right way…With this prophesy to you who convicted me, I part from you. (42-43)
Okay, so it’s not the greatest curse: “Kill me, and I’ll be replaced be a bunch of younger Socrates.” I take it back, that sounds terrible. It would’ve been almost bad-ass of Socrates to end his Apology right there, and walk out, but he monologues for another couple boring pages. I think Five Dialogues should include another apology for the reader:
I don’t know what inhumane purpose brought you to this book,
But I am so very sorry.
CRITO
            This dialogue is a scene between the imprisoned Socrates and his friend Crito. Crito organized Socrates’ escape to another country. Socrates refuses to go, even though he could probably get away with it.
            Crito explains to Socrates that if he doesn’t escape, it will reflect poorly on Crito, saying, “many people who do not know you or me very well will think that I could have saved you if I were willing to spend money, but that I did not care to do so” (47). That’s his opening argument? Nothing about keeping Socrates alive; it’s all about Crito. Crito is more worried about preserving his own reputation than Socrates’ life. Jerk. Socrates answers that one shouldn’t care what the majority thinks, which is a good answer, and Crito answers back that Socrates has been condemned to death by the will of the majority, which is also a good answer.
            A little later, Crito comes up with an argument that doesn’t make him sound like a selfish prick:
Moreover, I think you are betraying your sons by going away and leaving them, when you could bring them up and educate them. You thus show no concern for what their fate may be. They will probably have the usual fate of orphans. Either one should not have children, or one should share with them to the end the toil of upbringing and education. (48)
By accepting his death, Socrates is not only abandoning his friends, but also his family. And the worst part, what I found unbelievable, is that Socrates really actually doesn’t show any concern for his own children:
As for those questions you raise about money, reputation, the upbringing of children, Crito, those considerations in truth belong to those people who easily put men to death and would bring them to life again if they could, without thinking; I mean the majority of men. For us, however, since our argument leads to this, the only valid consideration, as we were saying just now, is whether we should be acting rightly in giving money and gratitude to those who will lead me out of here, and ourselves helping with the escape, or whether in truth we shall be wrong in doing all this. (51)
Socrates doesn’t even think his children are worth arguing about. He just lumps them in with Crito’s other arguments and says those are topics for other men to discuss. Socrates sounds like he’s not even talking about his own children, but some hypothetical situation involving the concept of children. He doesn’t care, and that upsets me. All he cares about is the justness of escaping because he believes a life corrupted in any way by unjust actions is not worth living.
            The remainder of the dialogue is Socrates again stretching reason to build an argument based on linking together a number of assumptions. Essentially, Socrates takes the position of the city’s government. Socrates says that by choosing to live in the city, he made a commitment to adhere to the city’s laws. All citizens then have an inherent agreement to follow all the demands of the city. So, if the city sentences a person to death, that person wanting to escape would be breaching the agreement, thereby harming the city. And since doing harm is unjust, harming the city and its laws is unjust. Socrates calls a person like that “act[ing] like the meanest type of slave by trying to run away” (55). Goddammit, Socrates ended up building an argument for slavery: “It’s the law, and if the law says you’re a slave, then that’s where you belong."
Somewhere along Socrates’ line of reasoning, it got wonky. It might be the assumption that all law is just and therefore right to follow. I mean, government and laws are all human constructs, so they are bound to be imperfect. But, Socrates would rather let his children be orphans than himself be “a destroyer of laws” (56). He also compares the city to parents, saying a person should never disobey parents. I guess Socrates forgot his conversation with Euthyphro when he said the opposite! Fuck! This book is frustratingly stupid. So now, according to Socrates, I guess if your parents say you deserve to die and they’re going to kill you, then just let it happen.
            I think Crito’s final words say it best:
            CRITO: I have nothing to say, Socrates. (57)
MENO
            Sigh…three down and I’m only a third through the actually book. And it’s all been shit so far…Now there’s Meno. Meno and Socrates discuss the nature of virtue, and whether or not it can be taught. The introduction states that “the dialogue is best remembered, however, for the interlude in which Socrates questions Meno’s slave about a problem in geometry – how to find a square double in area to any given square” (58). What?! “Guided by Socrates’ questions, the slave (who has never studied geometry before) comes to see for himself, to recognize, what the right answer to the geometrical problem must be. Socrates argues that this confirms…that the soul is immortal and that at our birth we already possess all theoretical knowledge” (58-59). WTF?! Somebody figuring out a math problem is proof of soul’s immortality? You’ve got to be kidding me! “Let me put it this way…Plato, Socrates: morons!”
Chronologically, Meno actually comes at the beginning, before his trial. The editor notes that its ideas about knowledge and the soul liken this dialogue to Phaedo. Now, I enjoy non-linear storytelling4 but I think if Meno was the first dialogue, then it and Phaedo would’ve made a nice frame for the whole book.
            In a way, this is similar to Euthyphro, but instead of piety, they are trying to pin down the nature of virtue. Meno tries a definition:
First, if you want the virtue of a man, it is easy to say that a man’s virtue consists of being able to manage public affairs and in so doing to benefit his friends and harm his enemies and to be careful that no harm comes to himself; if you want the virtue of a woman, it is not difficult to describe: she must manage the home well, preserve its possessions, and be submissive to her husband. (60-61)
Ugh – this is coming from a text of one whom supposedly is one of the great ancient philosophers? I feel exhausted by all the frustrating shit from Plato: the discarding of children, the pseudo-endorsement of slavery, the fallacious arguments, and now: sexism. At least Socrates kind of refutes Meno’s definition, saying that men and women both share strength, and “strength is no different as far as being strength, whether in a man or a woman” (62). I’d like to think that Socrates is promoting equality between men and women.
            Socrates and Meno then go on to talk about shapes. Meno describes different virtues but is unable to say what virtue is. Socrates compares that to saying that round and straight are different shapes, but they aren’t a sufficient definition of shape. Then Socrates makes a joke about Meno:
     SOCRATES: Even someone who was blindfolded would know from your conversation that you are handsome and still have lovers.
      MENO: Why so?
     SOCRATES: Because you are forever giving orders in a discussion, as spoiled people do, who behave like tyrants as long as they are young. And perhaps you have recognized that I am at a disadvantage with handsome people. (65)
Like I said before, the occasional diamond of truth hidden in a crap piece of coal. Or more like a nugget of gold in a pile of shit. Plus, a self-deprecating joke.
            Meno makes another attempt to define virtue, which is “the power of securing good things…for example, health and wealth…and to acquire gold and silver, also honors and offices in the city” (68). That’s one of the dumbest thing I’ve heard someone in these dialogues say. If you’re poor or sick, then you can’t be virtuous. What a terrible thing to say! Meno is essentially blaming the poor for their poverty, saying they should have the power to overcome it, otherwise they’re iniquitous.
            Again like Euthyphro, the argument draws on and the two men circle back to earlier, when Meno was describing different virtues instead of defining it. These dialogues remind me of Abbott and Costello’s Who’s On First? Except NOT funny.
     SOCRATES: Answer me again then from the beginning: What do you…say that virtue is? (69)
     MENO: What are you asking me for?
     SOCRATES: I’m not asking you, I’m telling you. What is virtue?
                 MENO: I don’t know.
                 SOCRATES: He’s on third.
                 ME, READING: I don’t care!
Strangely enough, Meno himself makes a joke at this point:
I think you are bewitching and beguiling me, simply putting me under a spell, so that I am quite perplexed. Indeed, if a joke is in order, you seem, in appearance and in every way, to be like the broad torpedo fish, for it too makes anyone who comes close and touches it feel numb, and you now seem to have had that kind of effect on me, for both my mind and my tongue are numb, and I have no answer to give you. Yet I have made many speeches about virtue before large audiences on a thousand occasions, very good speeches as I thought, but now I cannot even say what it is.
Plato’s philosophy sucks, and so does his comedy.
            Well, now I’ve come to the mathematical interlude. Socrates starts grilling a servant of Meno about the area of a square: “How many feet is twice two feet? Work it out and tell me. – Four, Socrates” (73). Math: finally questions from Socrates that someone can answer. In fact, Socrates makes the questions so easy that the servant barely does any work:
     SOCRATES: Now the line becomes double its length if we add another of the same length here? – Yes indeed.
     SOCRATES: And the eight-foot square will be based on it, if there are four lines of that length? – Yes.
     SOCRATES: Well, let us draw from it four equal lines, and surely that is what you say is the eight-foot square? – Certainly.
     SOCRATES: And within this figure are four squares, each of which is equal to the four-foot square? – Yes.
                 SOCRATES: How big is it then? Is it nor four times as big? – Of course.
     SOCRATES: Is this square then, which is four times as big, its double? – No, by Zeus.
                 SOCRATES: How many times bigger is it? – Four times.
     SOCRATES: Then, my boy, the figure based on a line twice the length is not double but four times as big? – You are right. (73-74)
Yes, Socrates is right. When the editor said the guy was “guided by Socrates,” he wasn’t kidding. Socrates led the servant through every answer. This whole section with the servant is supposed to show how knowledge is innate, but all his knowledge came straight from Socrates. He feeds the servant every answer. Socrates says the square is four times as big, so should I be impressed when two questions later, the servant says the square is four times as big? I call bullshit. And this goes on for awhile. And then Socrates goes and cracks a joke at Meno’s expense, saying that the servant before probably “thought he could easily make many fine speeches to large audiences about the square of double size and said that it must have a base twice as long” (75). What a dick!
            After the mathematical questioning is all done, Socrates debriefs with Meno:
     SOCRATES: What do you think, Meno? Has he, in his answers, expressed any opinion that was not his own?
                 MENO: No, they were all his own. (77)
No! Bullshit! They were all Socrates’.
                 SOCRATES: These opinions have now just been stirred up like a dream. (77)
More like hypnotic suggestion.
            So the servant supposedly figuring out the math by himself serves Socrates’ argument that the soul exists before birth and contains innate knowledge. I think the argument is terrible, but Socrates says something that kind of redeems himself as a worthwhile philosopher:
I do not insist that my argument is right in all other respects, but I would contend at all costs in both word and deed as far as I could that we will be better men, braver and less idle, if we believe that one must search for the things one does not know, rather than if we believe that it is not possible to find out what we do not know and that we must not look for it. (78)
I don’t agree with Socrates’ conclusions, but I do agree with his urge to seek the truth. He understands he may not have the right answers, but he wants to find them. I respect that. So here is another good moment for Socrates/Plato.
            It doesn’t last long, though, because Dull and Duller are back to repetitive circular arguing. They get interrupted by Anytus, a man who later is one of Socrates’ accusers. For now, he is only a jerk prejudiced against sophists, a group of teachers:
     SOCRATES: Has some sophist wronged you, Anytus, or why are you so hard on them?
     ANYTUS: No, by Zeus, I have never met one of them, nor would I allow any one of my people to do so.
                 SOCRATES: Are you altogether without any experience of these men?
                 ANYTUS: And may I remain so.
     SOCRATES: How then, my good sir, can you know whether there is any good in their instruction or not, if you are altogether without experience of it?
     ANYTUS: Easily, for I know who they are, whether I have experience of them or not.
     SOCRATES: Perhaps you are a wizard5, Anytus, for I wonder, from what you yourself say, how else you know about these things. (84)
Anytus reminds me of a racist. Or homophobe. Or An intolerant person in general – because he is. I like Socrates’ response, though.
            Nothing much else happens in the rest of the dialogue. In the end, Socrates gives a final thought on the nature of virtue, concluding that “if we were right in the way in which we spoke and investigated in this whole discussion, virtue would be neither an inborn quality nor taught, but comes to those who possess it as a gift from the gods” (92). That’s the answer? A person can only be virtuous if the gods decide it? That’s terrible! All the immoral people could just say they’re immoral because the gods made them that way, and there’s no use trying to change because virtue cannot be taught. After all that going round and round about virtue, with the breaks about math and sophists, Socrates and Meno end up somewhere else entirely. At least they ended up somewhere, unlike in Euthyphro, when Euthyphro got tired of it all and left.
PHAEDO
            My God, all that and I still have the longest dialogue remaining, the one I’ve been dreading. Phaedo tells the story of Socrates’ final hours in prison and his death. A bunch of his friends show up and they mostly debate the immortality of the soul and Socrates talks about eternal Forms. I’m not exactly sure how much of the philosophy in all these dialogues are actually from Socrates or from Plato using Socrates as a vehicle, but people say that Phaedo leans way to the Platonic side.
            So, here we go…Phaedo…Isn’t it funny how the title sort of rhymes with the author? Phaedo by Plato…Okay, for real. I can do this…
            This dialogue is a little different because it’s one guy relating to another what has already happened with Socrates. If Phaedo were staged for some ungodly reason, the character Phaedo would be speaking for like half an hour at a time, interrupted occasionally by Echechrates. Phaedo would be reenacting Socrates’ conversation with his friends. Speaking of rhyming names, one of the people with Socrates in his final hours was named Cebes from Thebes. If he were the son of a king, he would be Cebes, Prince of Thebes.
            So, all the guys go to Socrates’ cell, and what’s the first thing that happens? They kick out Socrates’ wife:
[We] go in. We found Socrates recently released from his chains, and Xanthippe – you know her – sitting by him, holding their baby. When she saw us, she cried out and said the sort of thing that women usually say: “Socrates, this is the last time your friends will talk to you and you to them.” Socrates looked at Crito. “Crito,” he said, “let someone take her home.” And some of Crito’s people led her away lamenting and beating her breast. (97)
Women, right? Always expressing emotions when their husbands are about to die. Can’t live without ‘em, but at least you can die in peace!
            Socrates at one point calls “the art of philosophy…the highest kind of art” (98). I wonder what’s the lowest kind of art?
Socrates talks about how to be a good philosopher. He says that practicing philosophy is a preparation for death (101). He talks about keeping the soul pure from bodily corruption by avoiding bodily pleasures like food, drink, and sex. Aww! Instead, people should focus on knowledge and thinking about eternal Forms such as “the Just itself…the Beautiful, and the Good…Bigness, Health, Strength, and, in a word, the reality of all things, that which each of them essentially is” (102-103). This concept of the eternal or Ideal Form is introduced in Meno. Socrates talked about the one thing that all bees share. They share the trait of “being bees” (61). In Phaedo, he might say they have Beeness.6 There is a pure Form of the bee, and every bee that exists is simply an imperfect physical manifestation of a true Bee. The theory of Forms also works with abstract concepts like Courage and Temperance, which Plato talks about in The Republic. I’ve read part of that, including his famous Allegory of the Cave, and that was actually pretty good. Why do I hate Five Dialogues so much?
            Socrates condemns the desire for wealth, saying “only the body and its desires cause war, civil discord, and battles, for all wars are due to the desire to acquire wealth, and it is the body and the care of it, to which we are enslaved, which compel us to acquire wealth, and all this makes us too busy to practice philosophy” (103). Suddenly I want to listen to some Pink Floyd.
Socrates tells his friends what he hopes to achieve in death:
Many men, at the death of their lovers, wives, or sons, were willing to go to the underworld, driven by the hope of seeing there those for whose company they longed, and being with them. Will then a true lover of wisdom, who has a similar hope and knows that he will never find it to any extent except in Hades, be resentful of dying and not gladly undertake the journey thither? One must surely think so, my friend, if he is a true philosopher, for he is firmly convinced that he will not find pure knowledge anywhere except there. (105)
Myself, I’d prefer reuniting with friends and loved ones in death over finally understanding Bigness. Socrates, on the other hand, doesn’t concern himself with his kids and doesn’t care to share his final moments of life with his wife.
            All of Socrates’ friends are still worried about death, however, so Socrates uses reason to convince them that the soul is immortal. Socrates brings up how everything in nature has opposites. An object can go from being small to large by growing, or it can change from large to small by shrinking. There is also being awake and asleep, with waking up and falling asleep as the “two processes: from one to the other and then again from the other to the first” (108). He gives a bunch of examples, and then says that life and death follow the same rule because they, too, are opposites. That’s not how it works! He can’t just say that since it works for a few things, it must be an absolute law of nature. He asks “Is nature to be lame in this case?” (109) The right answer is Yes! Otherwise, we’re talking about zombies. Not every natural process has an opposite, anyway. There’s no un-pooping.

Not in this universe, anyway.
            Socrates starts again on his idea about a soul already possessing knowledge, and that during life, it recollects its knowledge, like he did in Meno. He doesn’t explain why we lose all our knowledge at birth. Then Socrates describes the difference between the “two kinds of existence, the visible and the invisible” (117). In other words, the physical and the intangible; the body and the soul. Socrates makes the case that “the invisible always remains the same, whereas the visible never does” (117). He calls the soul “most like the divine, deathless, intelligible, uniform, indissoluble, always the same as itself” (118). However, Socrates goes on to talk about how the soul’s state is changeable:
     The soul, the invisible part…if it is pure when it leaves the body…makes its way to the invisible, which is like itself, the divine and immortal and wise, and arriving there it can be happy…[and] truly spend the rest of time with the gods…
     But I think that if the soul is polluted and impure when it leaves the body, having always been associated with it and served it, bewitched by physical desires and pleasures to the point at which nothing seems to exist for it but the physical, which one can touch and see or eat and drink or make use of for sexual enjoyment…do you think such a soul will escape pure and by itself?
                 Impossible, [Cebes] said. (119)
If the soul can be changed by physical pleasure, it doesn’t sound so “indissoluble” or “always the same as itself.” And there’s Socrates using leading questions again: “Will an impure soul be pure?” Of course not.
            Next, Socrates is talking about reincarnation. He predicts “those who have esteemed injustice highly, and tyranny and plunder, will join the tribes of wolves and hawks and kites” (120). Really? Be reborn as a wolf or bird of prey because of acting unjustly? That sounds like an awesome punishment. What about the good people? “The happiest of these, who will also have the best destination, are those who have practice popular and social virtue, which they call moderation and justice…because it is likely that they will again join a social and gentle group, either of bees or wasps or ants” (120). Bees, wasps, and ants – gentle? Obviously, Socrates never read any Animorphs. Given the choice of plundering what you want in life and being reborn as a hawk or living a life in moderation and coming back as an ant, who would pick the latter?
            There are two of Socrates’ friends who propose opposing ideas about the immortality of the soul. One guy wonders if the body and soul are like an instrument and its music. Music is invisible but can’t exist without its instrument. The other guy asks if maybe the soul and body are like a man and a coat. A man goes through many coats in a lifetime, but still dies in the end; the soul might similarly go through bodies and lives, outlasting many but still die in the end. Socrates refutes their arguments, restating his logic and they’re convinced.
            Then Socrates talks about how he used to study math, but then he got tripped up over 1+1=2. I’m not kidding. I wish I were. He knew that 1+1=2, but he didn’t know how or why:
I am far, by Zeus, from believing that I know the cause of any of those things. I will not even allow myself to say that where one is added to one either the one to which it is added or the one that is added becomes two, or that the one added and the one to which it is added become two because of the addition of the one to the other. I wonder that, when each of them is separate from the other, each of them is one, nor are they then two, but that, when they come near to one another, this is the cause of their becoming two, the coming together and being placed closer to one another. (135)
So, amongst all the great philosophical questions tackled by Socrates: How does one lead a good life? What does it mean to be happy? Where do we go when we die? Socrates struggles over why 1+1=2.
After that surprise mathematical interlude, Socrates circles back to talking about Forms again:
I no longer understand or recognize those other sophisticated causes, and if someone tells me that a thing is beautiful because it has a bright color or shape or any such thing, I ignore these other reasons – for all these confuse me – but I simply, naively, and perhaps foolishly cling to this, that nothing else makes it beautiful other than the presence of, or the sharing in, or however you may describe its relationship to that Beautiful we mentioned, for I will not insist on the precise nature of the relationship, but that all beautiful things are beautiful by the Beautiful. That, I think, is the safest answer I can give myself or anyone else. And if I stick to this I think I shall never fall into error. (138)
I think Socrates’ argument shares a relationship to Dumbness.
            Next Socrates ties the Evenness and Oddness of numbers to his argument of life and death. Odd numbers are never even, even numbers are never odd, ergo a living soul is never dead. Done. And that’s pretty much his final argument for the immortal existence of the soul.
            With all that said and done, Socrates decides to tell everyone how he imagines the world to be. Essentially, he describes the earth as three-tiered: the lowest level is the water and all life contained within it, in the middle is us and everything else living in this air zone, and above us is a higher plane existing in the ether, in which everything is more pure and true. If someone somehow managed to reach “the upper limit of the air…then just as fish rising from the sea see things in our region, he would see things there and…he would know that there is the true heaven, the true light, and the true earth” (147). Again, it’s like the Allegory of the Cave, with somebody finding a new, truer experience of existence. It’s not so incredible a notion to conceive, given the time, though it is kind of funny to think of people trying to “swim” their way to top of air and breaking its “surface.” Then Socrates describes the lowest tier in greater detail, going on about all these different rivers going in and out and every which way through the center of the world. I’m not sure exactly how to describe it because here is where Socrates lost me a bit. He throws Hades in there somewhere.
            Socrates and his friends get ready for his death and ask about funeral preparation type stuff. First he reprimands someone’s improper word-usage, saying “to express oneself badly is not only faulty as far as the language goes, but does some harm to the soul” (151-152). It does hurt my soul seeing adults mix-up their/they’re/there or hear them say “supposably.” Then they all start crying, and Socrates reprimands everyone, calling them women. Socrates drinks his hemlock and dies.7
            Whew! I made it through Five Dialogues. This took FOREVER. This whole book was filled with frustratingly stupid arguments that circled around on themselves and Socrates acting like a dick, but he was being a dick while searching for the truth, and every now and then, he’d say something worthwhile. The editors include some suggested further reading on Socrates, but fuck that.
 
Verdict (Is the book staying or going?): Going. And the worst part of all is how little shelf-space I’m getting.
 
Notes
1. Don’t count on it.
2. Ha. His name sounds like “Urethra.”
3. I’m reminded of Dr. Seuss’s Fox in Socks.
4. I haven’t given up hope yet on that Tarantino marathon happening.
5. That would take on a different meaning if Anytus and Socrates were discussing black people, not sophists, and were not in Ancient Greece.
6. Sounds dirty.
 
Works Cited
Plato. Five Dialogues: Euthyphro, Apology, Crito, Meno, and Phaedo. 2nd ed.
          Indianapolis: Hackett Publishing Company, 2002. Print.

Tuesday, February 4, 2014

17. Beautiful Lego

Book: Beautiful Lego
Author: Mike Doyle
Number of pages: 267
What I’m watching: TV: The League
What I’m playing: Skyrim
 
 
 
 
 
 
 
            When I was growing up, nothing could make me lose all sense of time quite like Legos. Whether I was adventuring or battling with my band of Lego people or crafting some new design for a fort or flying car, I would spend hours playing.1 I still have a bunch of Legos. My fiancĂ© and I recently date-nighted building the Millennium Falcon set. So, a coffee table book of Lego art? I’m ĂĽber excited.
            It’s hard to not just show a hundred pictures from Beautiful Lego and say, “Holy crap! That’s amazing!” But…
Holy crap! Can you imagine the scale of that sculpture? It’s a city of skyscrapers on a mountain surrounded by all those teeny village houses. The detail! It looks incredible. That is definitely worthy of the cover art. I also love Micah Berkoff’s NES.
He took something I love and recreated it artistically using another something I love.
            The book gives a survey of many different artists’ works and includes a few words from some of them about Legos. Its cool seeing all the different things people do with Legos: what they build, what pieces they use and how, the scale they use, their style. RamĂłn and Amador Alfaro Marcilla mention listening to music while crafting their Lego art and having that influence the piece’s “mood” (6). I totally get music playing during a longer delve into my Legos. Sometimes, the artwork can be a bit creepy, like one model of Shakespeare or the Marcilla Brothers’ “The Doll.”
The diversity in artists within this book not only demonstrates all the different approaches and styles of LEGO art, it showcases all the different subjects that people choose to LEGO-ify. Even if I’m not always crazy about the finished project, some of my other favorite subjects found in Beautiful Lego include Harley Quinn, Audrey II, The Stay Puft Marshmallow Man, V, Bilbo Baggins with Gollum, Walt Disney with Mickey Mouse, Stephen Hawking, and these guys2:
            It’s also fun finding unique Lego pieces being used in the artwork. A glow-in-the-dark magic wand creatively becomes a star on top of a Christmas tree. Parts of one Bionicle warrior (I’m pretty sure at one point I owned all of them) help build an awesome-looking archer.
 
It’s like a Where’s Waldo!
            The only problem with a book of Lego sculptures is that the pictures only display one angle of 3-dimesnsional art. There’s more to see than can be shown by the pictures. Like in the sculpture “Stairway,” I found another picture of it online and learned the big guy’s got a hole going all the way out his back.
            There was a huge section in Beautiful Lego about spaceships. Unexpectedly, I wasn’t super excited by them. I was more interested in some of the cars. I mean, building Lego cars was the coolest! Wheels were the best.
Reading Beautiful Lego, I get the sense that the wide variety of Lego artwork in the book is hardly wide at all, but a mere tip of a titanic iceberg. Hell, I’ve built Lego art.
This was supposed to be a recreation of Notre Dame de Chartres (a modest one, because my sources were limited). But then I got pictures from the internet mixed up and based the face of the church off of Notre Dame de Paris. So it’s inspired by both. Whoops. I also like to create fantasy creature mounts for my Lego people.
            Like I said earlier, Beautiful Lego is chock-full of amazing pieces of art.3 Too many to show all of them, but there’s a really cool Pegasus, an adorably itty-bitty duck, and a guy vacuuming a ghost, because with Legos, you can build whatever you want.
Verdict (Is the book staying or going?):
 
 
Notes
1. Less fun was the huge amount of time it also took to clean up. Picking up a mountain of Lego pieces off of carpet was the worst.
2. I certainly wasn’t expecting the Spanish Inquisition to appear twice in a row.
3. Or should I say block-full?
 
Works Cited
Doyle, Mike. Beautiful Lego. San Francisco: No Starch Press, 2013. Print.
 
Lego Artwork Credits
(in order of appearance)
Contact 1: The Millenial Celebration of the Eternal Choir at K’al Yne, Odan, Mike Doyle (2013)
Nintendo Entertainment System, Micah Berkoff (2009)
The Doll, RamĂłn and Amador Alfaro Marcilla (2008)
“Nobody Expects…The Spanish Inquistion!” Iain Heath (2011)
Family Portrait, Nathan Proudlove (2011)/Kathrienna, Eero Okkonen (2011)
Stairway, Nathan Sawaya (2009)
Ford Hot Rod, Dennis Glaasker (2012)/Solar Flare – 1960 Impala Wagon, Lino Martins (2008)
Cathedral de Notre Dame, Sam Shircel (2010)
Fire Dragon/Lizard-Rider, Sam Shircel (I Don’t Remember)

Monday, February 3, 2014

16. Knightfall, Vol. 1

Book: Batman: Knightfall, Volume One
Author: Doug Moench, Chuck Dixon, and Alan Grant
Number of pages: 635
What I’m watching: TV: Spoils of Babylon, Bones, 30 Rock, Community, Portlandia, The League
Movies: Constantine, Inception, The Perfect Host, Full Metal Jacket, Batman Begins, Pocahontas, Company (2011 Stage Recording)
What I’m playing: Bulletstorm, Oblivion, Rainbow Six Vegas, Iron Brigade, Flowerz, Journey, Skyrim
 
            I think I first heard about Knightfall from some Top 10 Batman graphic novel list on the internet. But it’s freaking Batman so it’s probably going to be awesome no matter what.
So, I already knew that this was the original “Bane breaks Batman’s back” story arc.1 What’s lame is that the back cover references The Dark Knight Rises. You know what, not everything Batman is awesome. I’ll say it: I didn’t like that movie. Why the hell doesn’t Bane blow up Gotham once he’s got the bomb? Why does he sit with his thumb up his ass for months driving the bomb around Gotham? It made absolutely no sense. I’d have more to complain about but I haven’t seen it since theaters so I forget. Oh wait: Robin Drake?! Whatever…what I didn’t already know is that Knightfall (1993) is the introduction of Bane. That means Bane is younger than I am and that all the Bane episodes of Batman: TAS were some of the first Bane stories.
            Being the first story of Bane explains why Knightfall opens with a 50-page story of Bane’s whole pre-Gotham life. Born and hardened in a prison with a life sentence, Bane envisioned and strived toward a mentally and physically perfect self. So, originally, Bane was both a genius and a strongman. So often, I feel, the former gets forgotten.
In prison, he overcomes his fear, which is coincidentally represented by a bat. Bane hears about Batman from another inmate and is immediately obsessed with the need to take down Batman. I mean, I get how fighting Batman represents overcoming his fear, but I think having Bane’s fear be a bat is too easy.
            Well, it’s page 47 and I finally see Batman, and he looks awesome.
Sometimes artists get a little weird with their character depictions. Really, everyone looks great. Bane and The Bat’s first confrontation blew my mind, occipital style.2
Sometimes, the artwork is funny, too.
And yet, as much as I love the character Det. Bullock, what the hell is he wearing?
He looks like the lovechild of Dick Tracy and a clown. And speaking of clowns, Batman takes down some thugs named the Manklin Brothers. Are their first names Larry, Curly, and Moe?
            Anyway, Bane’s plan to defeat Batman is to loose all the Arkham villains out into the city. Batman then has to essentially run a gauntlet of rogues, wearing himself and his spirit down, allowing Bane to step in at the right moment and crush Batman. A smart plan? Yes, but kinda cowardly in my opinion, especially since Batman was already ill at the start of the story.3
            So, the physical book itself is a story arc built from several Batman comic series. Unfortunately, that means I’m picking up in the middle and I’m a little out of the loop on some things. Like who’s Jean Paul, and why is he hanging out with Robin?  It sounds like I missed Bane beating up Killer Croc and Riddler getting pumped up on Venom while fighting Batman. It’s not too much that I can’t follow, but they’re things I would’ve liked to see. At one point Batman mentions Vicki Vale like she died, but I looked into it online, and I guess he just dumped her. There are a handful of other characters that come and go who I don’t recognize: Film Freak, Cornelius Stirk, Lt. Kitch, Leopold, and this person who pops up:
I thought maybe she’s Batgirl. Turns out the thugs she’s beating up don’t recognize her either, so I don’t feel so bad about it. I wasn’t sure how far along the Batman storyline was in the early 90s. Was Barbara Gordon still Batgirl? Nope. She shows up later in Knightfall as Oracle, which makes sense because there were a few references to The Killing Joke which I picked up on. Speaking of being chronologically confused: with all the tension and headbutting between Batman and Robin, I was certain that Robin was Dick Grayson. Nope again. It’s Tim Drake. Dick shows up later as Nightwing. Going to back to the girl in purple and blue for a moment: looking at her makes The Hawkeye Initiative come to mind.4
Anarky pops up for an issue or two, looking like the Spanish Inquisition.
Bane sounds a little like Ivan Drago.
What’s more, near the end of Knightfall, Bullock references Rocky.
            In a nutshell, Bane’s gauntlet works and he defeats Batman by breaking his back but decides to let Batman live. That Jean Paul guy turns out to be Azrael, some kind of trained assassin from a religious order. Jean Paul takes on the Batman mantle to keep Gotham in order, but seems to be reckless and takes things too far. He builds some kind of super-suit to battle Bane. Meanwhile, at stately Wayne Manor, Bruce Wayne is recovering until he discovers that a close doctor friend and Tim’s father have both been kidnapped. He leaves the country on a search for them with Alfred. In a final confrontation, Jean Paul almost kills Bane, but leaves him for GCPD.
            Knightfall provides a lot of action, a great showcase of the rogues gallery and the Batman family, awesome art, and great stories. Zero sharks, though.
 
Verdict (Is the book staying or going?): Staying.
 
Notes
1. The cover’s kind of a giveaway, anyway.
2. Maybe it helps that blue is my favorite color.
3. It is kinda lame seeing Batman so weak right off the bat.
4. Look it up.

Works Cited
Moench, Doug, Chuck Dixon, and Alan Grant. Batman: Knightfall, Volume One.
            New York: DC Comics, 2012. Print.

Saturday, January 11, 2014

15. The Reason I Jump


Book: The Reason I Jump
Author: Naoki Higashida
Number of pages: 149
What I’m watching: TV: Bones, Community, Agents of S.H.I.E.L.D.
Movies: Battle Royale 2, The Man Who Knew Too Little, Sabrina, The Aristocrats
What I’m playing: Dead Rising 2, Little Big Planet, Beyond: Two Souls, Bulletstorm, Dark Souls
 
 
            I heard about The Reason I Jump from The Daily Show. It’s about autism by a young teenager from Japan who has autism. For a long time now I’ve been learning about the disorder. I forget how I first heard about autism. Probably Rain Man. The autism spectrum came up a number of times in high school and college psychology courses. When I was a teenager myself, I read Mark Haddon’s The Curious Incident of the Dog in the Night-time, a fictional novel written from the perspective of a boy with autism. Haddon had experience working with autistic people which helped inform his writing. To keep it brief, Curious Incident is my favorite book of all-time and I HIGHLY recommend it to everyone. I found it immensely moving, both funny and sad and, to my understanding, an insightful depiction of a person’s experience with autism. Now, The Reason I Jump provides a real-life personal account from a young person with autism, a rare case because difficulty communicating is a big part of autism.
            David Mitchell1 introduces the text. Turns out the main audience the book is geared toward is parents caring for an autistic child. That explains why I found this book in the “Children with Special Needs” section at Barnes & Noble. I don’t have any kids, but the number of children with autism seems to be rising.2 So I figure, whether or not it affects my immediate family, I’m better off better understanding autism.
            Communication is very limited for people with autism, so Naoki describes learning a special technique his mom created to help him write. It was difficult for him, but he writes that “what kept me hammering away at it was the thought that to live my life as a human being, nothing is more important than being able to express myself” (7). Already, I find Naoki’s account incredible.
            The general format of the book is a Q&A. Naoki answers questions about different aspects of autism, often asking why he does certain things or how he feels about certain other things. Interspersed throughout are short stories written by Naoki because he’s also a creative writer, which I think is pretty cool. The first batch of questions concerns communication and talking, like “Why do you ask the same questions over and over?” and “Do you find childish language easier to understand?” When Naoki answers the question “Do you prefer to be on your own?” I think he hits on a very essential part of autism:
     I can’t believe that anyone born as a human being really wants to be left all on their own, not really. No, for people with autism, what we’re anxious about is that we’re causing trouble for the rest of you, or even getting on your nerves. This is why it’s hard for us to stay around other people. This is why we often end up being left on our own.
     The truth is, we’d love to be with other people. But things never, ever go right, we end up getting used to being alone, without even noticing this is happening. Whenever I overhear someone remark how much I prefer being on my own, it makes me feel desperately lonely. (27)
Autistic people want to join in and communicate, but the stress and the struggle make it hard. Autism is not the same as introversion. They may want to talk to others, but they can’t.
            Next are questions about emotions and behavior. Naoki discusses his memory and attention. Throughout his answers, Naoki repeatedly brings up that he is aware that his autism places stress on his family and how bad that makes him feel. That’s tough.
            The Reason I Jump ends with a longer short story by Naoki about a boy who dies and goes to Heaven. At first it reminded me of The Twilight Zone, but then it was more like What Dreams May Come.3 So the kid’s in Heaven, except he can’t enjoy it because he knows how much his parents are suffering in their grief, especially his mother. So he decides to be reborn as their next kid, which means sacrificing his identity to give his parents some happiness. It’s a touching good story.
            All in all, The Reason I Jump wasn’t the mind-opening experience I expected. I was already fairly familiar with autism, but for someone first learning about the disorder, this book would be incredibly helpful. Still, Naoki Higashida’s book is a wholly worthwhile contribution to the literature of understanding autism.
 
Verdict (Is the book staying or going?): Staying.
 
Notes
1. I wanted to see Cloud Atlas when it came out, but I never got around to it.
2. Now more than 1 in 100 children in the US.
3. Both of which I love.

Works Cited
Higashida, Naoki. The Reason I Jump. Trans. KA Yoshida and David Mitchell.
            New York: Random House, 2013. Print.

Thursday, December 26, 2013

14. Lamb

Book: Lamb: The Gospel According to Biff, Christ’s Childhood Pal
Author: Christopher Moore
Number of pages: 444
What I’m watching: TV: How I Met Your Mother, Bones, Dexter, Agents of S.H.I.E.L.D., The Colbert Report, Red Dwarf, Friends, The Victor Borge Show
Movies: Night of the Living Dead, The Goonies, The Artist, Heart and Souls, Easy A, When Harry Met Sally, Tangled, The Notebook, The Hobbit: The Desolation of Smaug
What I’m playing: Terraria, Batman: Arkham Origins, Skyrim, Bioshock, Bioshock 2, Bioshock Infinite: Burial at Sea, Far Cry 3: Blood Dragon, Dead Rising 2, PlayStation All-Stars Battle Royale, Injustice: Gods Among Us
 
            Well, it’s the Christmas season, so why not a book about Christ? I remember one of my brothers reading Lamb a few years ago and claiming it was his favorite book. With that praise, I bought the book a bit later, but never read it. Now my fiancĂ© just finished it, and she also really enjoyed it. Her second opinion pushed me to reading my copy of Lamb.
So the premise of the novel is that Jesus had a lifelong friend since childhood named Biff. An angel resurrects Biff in order for him to write a gospel chronicling Jesus’s life, filling in the 30 years between his birth and his ministry. Christopher Moore makes it abundantly clear that though he put real research into the novel, it should not be taken seriously. He has a blessing at the beginning, but I think his back cover photo and “About the Author” say enough: 
CHRISTOPHER MOORE is the author of seven novels, including this one. He began writing at the age of six and became the oldest known child prodigy when, in his early thirties, he published his first novel. His turn-ons are the ocean, playing the toad lotto, and talking animals on TV. His turn-offs are salmonella, traffic, and rude people. Chris enjoys cheese crackers, acid jazz, and otter scrubbing. He lives in an inaccessible island fortress in the Pacific.
And with that, I have no idea what to expect in this book.
            First off, Jesus is called Joshua throughout Lamb, because “Jesus is the Greek translation of the Hebrew Yeshua, which is Joshua” (8). So the first part tells the story of Biff and Joshua growing up in Nazareth. They play out stories from the scripture, they do a little apprenticing with their dads, Biff hits on the Blessed Mary, Josh performs some minor miracles, and other 10-year-old stuff. They make a fast-growing friendship with the new kid in town, Maggie – Moore’s version of Mary Magdalene. There’s also the neighborhood bully, Jakan, who I totally predicted would become one of the high priests who’d have it in for Joshua when they grew up. One of Josh, Biff, and Maggie’s adventures involves attempting to circumcise a statue of Apollo:
Joshua took a quick swipe with the mallet and the chisel slipped, neatly severing Apollo’s unit, which fell to the dirt with a dull thud.
“Whoops,” said the Savior. (60)
The three of them also witness a murder. This first part of Lamb totally feels like a coming-of-age story, like Tom Sawyer, Bridge to Terabithia, Sandlot, IT, Simon Burch, and I’m sure a ton more.1
            Moore infuses his humor into his writing style, which makes me really like the book. There are a lot of masturbation/sex jokes, which I’m fine with, but there are A LOT. Biff starts out as a young boy going through puberty, and he never seems to mature out of his horniness.
            Periodically, Moore shows what is going on to the resurrected Biff while he’s writing. For awhile I was more curious to see what happened to present-day resurrected Biff than 2000-years-ago Biff. That lessened as I read more, but they’re both interesting.
            Moore also incorporates the actual Bible stories of Jesus in when he can, although with his own spin. Of the episode with young Jesus at the Temple, Biff had to say “in retrospect, after having grown up, somewhat, and having lived, died, and been resurrected from the dust, I realize that there may be nothing more obnoxious than a teenager who knows everything” (98).
Before too long, Josh leaves Nazareth to find the three magi who found him in Bethlehem and learn about being the Messiah. Biff tags along, but Maggie has to stay behind. Pretty much all the unaccounted years of Josh’s life get spent with the magi. There are some mini-adventures in between and during. Each of the magi lives in the East, so Josh learns a lot of Eastern philosophy, religion, and meditation. Biff learns some of that too, but mainly has sex. They become Buddhist monks for a while and train in martial arts.2 I actually really like how Joshua integrates so much Eastern wisdom into his ministry later on.
I don’t want to go into much more detail on plot or give every instance of why I think Lamb is funny, because that’s a lot (but I will mention it is a great scene when they run into Legion). I feel that Joshua’s character is a good portrayal of Jesus; he is a close representation of how Son of God is usually viewed, which I think is important to the story. I liked seeing how Moore characterized all the apostles. I liked Bartholomew right away at the beginning, but in the latter half of Lamb, he becomes pretty flat and one-tracky. They reunite with Maggie. A lot of the scenes from the actual Gospels like the Sermon on the Mount and the interrogations with Pontius Pilate and Herod Antipas happen in the story, but not firsthand, probably because we already know what happens, though Moore did leave me guessing to the very end about Josh’s death on the cross. I recognized Joy’s – and subsequently Biff’s – phlebotinum vial pretty quickly, but wasn’t sure how it would play out. I’m remaining vague on this point to not spoil anything.
            Lamb is a funny, thrilling, clever, honest, absurd, and wholly entertaining take on the life of Jesus.
 
Verdict (Is the book staying or going?): Staying.
 
Notes
1. Speaking of Jesus and coming-of-age stories, for your consideration, please observe the similarities between Jesus from Godspell and Sloth from The Goonies.

2. Looks like The Matrix got its Jesus/Neo parallel dead on.

Works Cited
Moore, Christopher. Lamb: The Gospel According to Biff, Christ’s Childhood Pal.
            New York: Harper Perennial, 2002. Print.